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Table of Contents

Overview

The set designer is, somewhat paradoxically, responsible for designing the set for a the production. The design should be based on the director's vision and must conform to all fire/safety regulations. The set designer is also responsible for any artistic decisions made about the set, for example choosing paint colors. 

Basics

The Ensemble usually performs term shows in La Sala de Puerto Rico and summer shows in Little Kresge. Digital models of both places exist- check the Ensemble locker or talk to other ensemble members to obtain them. 

Before Auditions

The set designer should read the play and come with some general ideas for the set. They should then meet with or talk to the director about the director's concept for the set, and agree on a basic atmosphere as well as major set pieces (platforms, pilliars, or other such things that will need to be blocked around). 

Rehearsal Period

Semifinal Set Design

The set designer should have a semifinal set design, preferably in digital format, by the date specified in their contract. VectorWorks is the preferred software for creating the set design, but some success has been had with Google SketchUp. Many older members of the Ensemble are familiar with VectorWorks; feel free to ask them for help if you're unfamiliar with the software. The semifinal design should be presented at the earliest possible prod meeting. The other designers, particularly lights, should give feedback how the design will interface with their departments. After the prod meeting, the set designer should meet with the TD to discuss the technical feasibility of the set. Remember that the TD has the final say in all structural/safety decisions.

The semi-final design should be sent to the show list.

Final Set Design

The final set design should be in a digital format. The final set design should be approved by the TD and director if possible before it is presented to the production staff and should be as detailed as possible. It should include sight lines, the spaces that any moving objects (such as a door) will pass through, and anything other information that could possibly be useful. The design should also conform to all fire/safety regulations.

Once the final set design has been presented at a prod meeting, it should be sent out to the show list and posted to the show dropbox/other public storage option. All future updates should also be sent out and uploaded. 

Meeting with CAC

While the meeting with CAC is primarily the TD's responsibility, the set designer should attend if possible on the off chance the set needs to be changed. See the TD page for more information.

Description and Expectations

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