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Picking general the colors of your light is not difficult however deciding which particular gel to use is. Rosco, Lee and GAM are the three major types of gels used, with Rosco being the most widely used. Some of the questions you have to ask when picking a color are: what effect will this color have on stage? (Example R02 is warm but not overpowering, the feel will be sunny but not yellow). How will the set/costumes/actors look under this color light? (No one looks healthy in green light). Picking through hundreds of various gels is fairly frustrating, advice can be found on the Rosco website (they have good descriptions of what effect each gel has) and by asking those who know (again Karen is a good source). Color is part of what makes lighting design an art form; don’t leave the decisions to the last minute. (Gels can be ordered through e33 at cost or they can point you in the right direction for gels and other lighting equipment) The Ensemble has a collection of gels: you can buy more at Backstage Hardware or order from ALPS. Someone will probably have to go to Backstage Hardware for something else at some point: coordinate with the TD to save trips.
Hang/Focus
Ideally the lighting designer would not be deeply involved in hang, s/he would hand over the plot to the master electrician and the lights would get hung and circuited as desired. Of course this doesn’t happen. Even with the best of plots and paperwork something might seem perfectly clear to the designer and not to anyone else. During hang you should be around to help and answer any confusing points of the plot.
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